Saturday, March 31, 2012

Tascam DR-1 Portable Solid State Recorder

Tascam DR-1 Portable Solid State Recorder Review



Tascam DR-1 Portable Solid State Recorder Feature

  • Portable, Handheld Recording
  • Built-in High-quality Stereo Condenser Microphone
  • Variable Angle Microphone Mechanism with A/B Configuration
  • 48 or 44.1kHz 24-bit Recording Resolution
  • MP3 and WAV file Recording and Playback
A great choice for journalists, podcasters and on-the-go musicians, the Tascam DR-1 portable recorder features a pair of microphones that are mounted on a variable angle mechanism, which allows the recorder to record from almost any angle. The built-in stereo condenser microphones are arranged for a wide stereo image, and an external mic can also be used. The unit includes a 1 GB SD card for hours of recording at MP3 or WAV file formats.



The built-in stereo microphones include a unique variable angle mechanism, so you can set it to record from any angle.
With the version 2.0 firmware update, the DR-1 offers additional features during recording, including a manual track increment for breaking a long session into individual tracks. The new pre-record buffer feature can store audio in a buffer to begin a recording two seconds before the record button is pressed. Recording can also be delayed by 300ms to eliminate handling noise when the record button is pressed.

Editing features have also been added, including automatic new file creation if the current file becomes too large and an All Delete function that enables you to quickly delete all files within a selected folder.

Key Features

  • Portable, Handheld Recording
  • Built-in High-quality Stereo Condenser Microphone
  • Variable Angle Microphone Mechanism with A/B Configuration
  • 48 or 44.1kHz 24-bit Recording Resolution
  • MP3 and WAVE file Recording and Playback
  • Switchable Low Cut Filter
  • Analog Auto Gain Control
  • Analog Limiter
  • Rechargeable/Replaceable Lithium-Ion Battery
  • USB 2.0 Connection to Computer
  • Built-in Tuner and Vocal Cancel Features


    Includes 1 GB SD card for hours of CD or MP3-quality recording time of long rehearsals and concerts (see larger image).
  • Overdub Feature to record narration, singing or instruments over an existing recording
  • 1/8-inch stereo microphone input with 2.3V power
  • 1/8-inch stereo line input
  • 1/4-inch stereo microphone input
  • 1/8-inch stereo headphone output
  • WAV recording resolution: 44.1kHz/48kHz, 16-bit or 24-bit
  • MP3 recording rate: 32-320 kbps
  • Battery life: About 7 hours when recording MP3 format with the built- in mic (varies with operating conditions)
  • Dimensions (not including protrusions): 2.8 x 1.1 x 5.3 inches (WxHxD)
  • Weight: 7.34 ounces, including battery

Specifications

  • MIC 2 IN input
    • Jack: 1/4-inch, mono, unbalanced
    • Input impedance: 10 kΩ or more
    • Nominal input level: -50 dBV
    • Maximum input level: -34 dBV
  • MIC 1 IN input
    • Jack: 3.5-mm stereo phone (with plug-in power)
    • Input impedance: 30 kΩ
    • Nominal input level: -64 dBV (GAIN set to HIGH); -48 dBV (GAIN set to LOW)
    • Maximum input level: -48 dBV (GAIN set to HIGH); -32 dBV (GAIN set to LOW)
  • LINE IN input
    • Jack: 3.5-mm phone (stereo)
    • Input impedance: 23 kΩ
    • Nominal input level: -10 dBV
    • Maximum input level: +6 dBV
  • Audio file compatibility
    • MP3 files: 32–320 kbps; 44.1/48 kHz sampling frequency; VBR (playback only); ID3 tag support up to Ver. 2.4
    • WAV files: 44.1/48 kHz sampling frequency; 16/24-bit rate
    • Recording medium: SD card (64 MB–2 GB) or SDHC card (4–32 GB)
    • File system: FAT16/32
The TASCAM DR-1 puts world-dominating power into your pocket. Its built-in stereo microphones include a unique variable angle mechanism, so you can set it to record from any angle. The DR-1 is the first portable recorder to include a 1GB card, so you'll have plenty of CD or MP3-quality recording time for long rehearsals and concerts. And with a street price of just 9, everyone's gonna want one.

A pair of microphones is mounted on a variable angle mechanism, which allows the recorder to record from almost any angle. The built-in stereo condenser microphones are arranged for a wide stereo image, and an external mic can also be used. The unit includes a generous 1GB SD card for hours of recording at MP3 or WAV file formats. The DR-1 also includes auto gain control and analog limiting for easy setup and a low-frequency cutoff to eliminate handling or wind noise.

Specifications
  • Portable, Handheld Recording
  • Built-in High-quality Stereo Condenser Microphone
  • Variable Angle Microphone Mechanism with A/B Configuration
  • 48 or 44.1kHz 24-bit Recording Resolution
  • MP3 and WAVE file Recording and Playback
  • Switchable Low Cut Filter
  • Analog Auto Gain Control
  • Analog Limiter
  • Rechargeable/Replaceable Lithium-Ion Battery
  • USB 2.0 Connection to Computer
  • Built-in Tuner and Vocal Cancel Features
  • Overdub Feature to record narration, singing or instruments over an existing recording
  • 1/8" stereo microphone input with 2.3V power
  • 1/8" stereo line input
  • 1/4" stereo microphone input
  • 1/8" stereo headphone output
  • WAV recording resolution: 44.1kHz/48kHz, 16-bit or 24-bit
  • MP3 recording rate: 32-320 kbps
  • Battery life: About 7 hours when recording MP3 format with the built- in mic (varies with operating conditions)
  • Dimensions (not including protrusions):
    • 70 (W) x 27 (H) x 135.3 (D) (mm)
    • 2.8 (W) x 1.1 (H) x 5.3 (D) (inches)
  • Weight: 208 g (7.34 ounces) including battery


Friday, March 30, 2012

Zoom R24 24-Channel Portable Digital Studio Recorder Bundle

Zoom R24 24-Channel Portable Digital Studio Recorder Bundle Review



Zoom R24 24-Channel Portable Digital Studio Recorder Bundle Feature

  • Channel Portable Digital Studio Record
  • Multitrack recorder
  • More than 100 studio-quality effects, including g
  • Records on up to 32 GB SDHC cards for maximum rec
  • 8 balanced XLR 1/4-inch combination inputs
This Package Contains One Zoom R24 Digital Recorder; One Transcend 16gb Class 6 SD Card; One Tascam-HP-VT1; Two 20 Foot XLR to XLR Microphone Cable; Two 10 Foot Instrument Cable 10 TS Cable; Six Duracell AA Battery


Thursday, March 29, 2012

Blue Microphones Snowflake USB Microphone

Blue Microphones Snowflake USB Microphone Review



Blue Microphones Snowflake USB Microphone Feature

  • Professional quality portable USB for recording on the go
  • Unique design fits on your desktop or laptop
  • Perfect for podcasting, internet telophony, voice recognition software, movie narration, music
  • Compatible with Mac and PC; plug-and-play, requires no additional drivers
  • Includes USB cable
Featuring Blue Microphones' renowned circuitry, the Snowflake is a professional quality portable mic that combines a USB bus powered capsule with a class compliant design to make the Snowflake truly plug and play on both Mac and PC. Not just an eye-catching design, the Snowflake is highly functional. The mic folds into a single compact case which also houses a USB cable for easy transport in a laptop bag or even a pocket. Unfolded, the case serves as a desktop stand or a laptop clip, making the Snowflake a natural for everything from podcasting, calling over the web, narrating a home video, or sketching out a song idea on the go.

Where Do You Put It?
The Snowflake's unique design allows you to place it on a desk or flat surface near your computer, or mounted to the screen of most laptops. Gently grasp the top and bottom halves of the Snowflake mounting box and slide them away from each other (figure 1, on the right). You'll find the USB cable snugly fit inside. The top half of the mount can then be positioned on any flat surface (figure 2), or hung over the back of most laptops (figure 3). The Snowflake capsule also pivots back and forth and rotates side-to-side for optimal positioning.

When not in use, just disconnect the USB cable and store it in the mounting box, sliding both haves together to close. When traveling with the Snowflake, gently swivel the active side of the round capsule head (with the metal grille) so that it faces down and into the box (figure 4). This will help protect the precision capsule from damage.

Technical Specs

  • Transducer Type: Condenser, Pressure Gradient w/USB Digital Output
  • Polar Pattern: Cardioid
  • Sample/Word Rate: 44.1 kHz/16 bit
  • Frequency Response: 35Hz - 20kHz

System Requirements

  • Macintosh: Mac OSX; USB 1.0 or 2.0; 64MB RAM (minimum)
  • Windows: Vista or XP; USB 1.0 or 2.0; 64MB RAM (minimum)
Whether you're recording your newest podcast, talking business on the web, or just narrating your latest great family movie, the Snowflake can capture it with amazing clarity and depth that's head and shoulders above any comparable portable USB on the market.

The Snowflake works on both Mac and PC with no complicated drivers to install: just connect it to your computer's USB port, follow the prompts and you'll have high-fidelity sound in no time. It's perfect for podcasting, voice recognition software, iChat, and VoIP software such as Skype and Vonage. Or use it for dictation, field recording, lecture recording, and narration for slideshows and PowerPoint presentations. The sky's the limit. It's even great for recording music via GarageBand and other multitrack recording software.

Designed with the traveler in mind, the Snowflake's unique design allows you to place it on a desk or flat surface near your computer, or mount it to the screen of most laptops. Because it simply connects to your USB port, it offers a wide range of applications coupled with an ease of use never before offered in a professional-quality microphone. In the tradition of Blue's line of renowned studio microphones, the Snowflake features Blue's superior proprietary capsule and circuit design, optimized to make sure that you always get the best sound possible into your computer, and sets a new standard for digital recording on the go!


Wednesday, March 28, 2012

Zoom R16 Multitrack Recorder, Interface, and Controller Bundle with Two 20-Foot Instrument Cables, Two 20-Foot XLR Cables, Two Pairs of Headphones, and Polishing Cloth

Zoom R16 Multitrack Recorder, Interface, and Controller Bundle with Two 20-Foot Instrument Cables, Two 20-Foot XLR Cables, Two Pairs of Headphones, and Polishing Cloth Review



Zoom R16 Multitrack Recorder, Interface, and Controller Bundle with Two 20-Foot Instrument Cables, Two 20-Foot XLR Cables, Two Pairs of Headphones, and Polishing Cloth Feature

  • Equipped with a set of built-in high-sensitivity stereo condenser mics
  • Capture sound effects speeches and dialog with excellent clarity
  • Connect two R24s via USB for 16 tracks of simultaneous recording
  • Record Scratch tracks and overdub voiceovers in post-production
  • Onboard phantom power with high-quality mic preamps and vocal effects
Bundle includes Zoom R16 Multitrack Recorder, Interface, and Controller, Two 20-Foot Instrument Cables, Two 20-Foot XLR Cables, Two Pairs of Headphones, and a Polishing Cloth.

Zoom revolutionizes recording with the first digital recorder with 16-track playback and 8-track simultaneous recording that uses Secure Digital (SD) memory. The new R16 recorder is three production tools in one incredibly versatile device. It's a digital multi-track recorder, an audio interface and a control surface, providing you with all the tools necessary to create studio-quality recordings anywhere.

The R16 combines a remarkable level of functionality with exceptionally intuitive design. For recording purposes, the unit supports up to 32GB SD cards, allowing over 100 track hours of recording. The flexibility of SD recording not only makes the R16 lighter and more portable, it also ensures increased reliability with no concern for a crashing hard drive. You can even have respective SD cards dedicated to specific recording sessions. Back up your project on a USB memory stick.

With the ability to record up to 8 tracks simultaneously, it's easy to capture a live band or even a complete drum kit. The R16 features built-in stereo condenser microphones for field recording or quick, convenient "sketch-pad" capturing of ideas and rehearsals. It also provides 8 combination XLR-1/4-inch inputs along with one Hi-Z input for direct connection of guitar or bass. And the R16 also runs on 6 AA batteries for the ultimate in multi-track portability.

USB operation means you can control each function of your favorite DAW software from the R16 for easy mixing with fine-tuned control. Incorporate any of the 100+ built-in studio effects to enhance your recording and use the pro-quality mastering effects to complete that studio sound. You can even connect two R16s via USB for sy


Tuesday, March 27, 2012

Electro Harmonix 2880 Super Multi-Track Looper w/6 Free Cables

Electro Harmonix 2880 Super Multi-Track Looper w/6 Free Cables Review



Electro Harmonix 2880 Super Multi-Track Looper w/6 Free Cables Feature

  • 2 Free Strukture 6" Patch Cables
  • 2 Free Strukture 10' Instrument Cables
  • 2 Free Strukture 18.6' Instrument Cables
The Electro-Harmonix 2880 offers the familiar control setup of a multitrack digital recorder while adding flexible looping capabilities and track manipulation control. Multiple loops, in stereo and mono, can be pitch shifted, reversed and manipulated on four recording tracks. These four tracks can then be moved to two mixdown tracks, freeing them up to be reused. Flexible punch in/out is available on any recording track, allowing the musician to achieve "Looper Perfection" with the 2880


TASCAM DP01FXCD Digital Portastudio Recorder

TASCAM DP01FXCD Digital Portastudio Recorder Review



TASCAM DP01FXCD Digital Portastudio Recorder Feature

  • 8-track recording at uncompressed CD quality onto a large built-in hard drive
  • Built-in CD+RW burner / CD-ROM drive
  • Built-in reverb processor bank for extra-polished mixes
  • Built-in insert effects processor
  • 2-track simultaneous recording
How do you improve on the most complete, easy-to-use 8-track recording system on the planet? Add a CD burner to the already feature-packed DP-01FX! Now you can burn your mixed hits directly to CD or back up your work in progress at any time without having to transfer it to computer first. Get those hits out of your head. Capture your art with a TASCAM DP-01FX/CD Portastudio. Like the DP-01, it combines the hands-on simplicity of classic cassette Portastudios with the superb sound and editing flexibility of CD-quality digital. It has the XLR microphone inputs of the DP-01FX, with phantom power for connecting professional condenser microphones. It also features a multieffects processor for adding effects to an instrument during recording and a reverb processor for adding effects during mixdown. Plug in. Hit RECORD on one of the eight DP- 01 channel strips. Start laying down CD-quality digital tracks. Instead of 'paging' through layer upon frustrating layer of menus, you get real knobs and buttons for all important functions. Hands-on tracking and mixdown are so easy a game show hostess could do it! This is also great tool for songwriters who want better quality than cassettes but don't like the expense, complex menus and windows of other recorders and software packages. Features: 8-track recording at uncompressed CD quality into a built-in 40GB hard drive Built-in CD+RW burner / CD-ROM drive Built-in reverb processor bank for extra-polished mixes...


Monday, March 26, 2012

TASCAM DP-03 / PM0.4n Recording Package (Standard)

TASCAM DP-03 / PM0.4n Recording Package (Standard) Review



A quality 8-track demo recording package to get you on your way to stardom.


Sunday, March 25, 2012

Tascam DP-03 DP03 8-Track Digital Studio CD Burner

Tascam DP-03 DP03 8-Track Digital Studio CD Burner Review



Tascam DP-03 DP03 8-Track Digital Studio CD Burner Feature

  • Perfect for use in studios or in the field, the Po
  • The recorder can capture up to 8 CD-quality tracks
  • Audio is recorded to widely-available SD/SDHC memo
  • A pair of stereo condenser mics are built into the
  • A pair of XLR inputs with mic preamps and 48V phan
This Package Contains One Tascam DP-03 Digital 8-Track CD Burning Recorder DP 03 ; One Sonic Sense 16 GB SD Card Class 6 16 gigabyte; One Tascam-HP-VT1; Two 20 Foot XLR to XLR Microphone Cable; One 10 Foot Instrument Cable 10 TS Cable


RecordPad Sound Recorder [OLD VERSION]

RecordPad Sound Recorder [OLD VERSION] Review



RecordPad Sound Recorder [OLD VERSION] Feature

  • Record sound, voice, notes, music or any other audio
  • Save recordings to your hard drive in wav, mp3 or aiff format
  • Set system-wide hot keys for keyboard recording control while working in other programs
  • Options to automatically send recordings via email or upload to an FTP server
  • Can be automated and integrated to run from other programs with command line options
RecordPad is a simple sound recording software program for recording audio on your computer. Recording has never been easier; within minutes you will be able to start a recording, save, and replay recorded audio files. RecordPad is ideal for recording voice or other audio to add to digital presentations, creating an audio book or simply record a message. Using RecordPad you can quickly and easily record audio notes, messages or announcements in either wav or mp3. RecordPad os designed to be a simple yet robust application capable for professional and corporate recording applications.


Saturday, March 24, 2012

Zoom R8 8-Track SD Recorder, Sampler & USB Interface (Standard)

Zoom R8 8-Track SD Recorder, Sampler & USB Interface (Standard) Review



8-track recorder, audio interface, DAW control surface, and sample in small footprint.


Friday, March 23, 2012

Behringer EURODESK SX3242FX Ultra-Low Noise Design 32-Input 4-Bus Studio/Live Mixer

Behringer EURODESK SX3242FX Ultra-Low Noise Design 32-Input 4-Bus Studio/Live Mixer Review



Behringer EURODESK SX3242FX Ultra-Low Noise Design 32-Input 4-Bus Studio/Live Mixer Feature

  • Premium ultra-low noise, high-headroom analog mixer
  • 24 state-of-the-art XENYX Mic Preamps
  • Neo-classic "British" 3-band EQs with semi-parametric mid band
  • 4 bus outputs and additional Mono output with sweepable Low Pass filter for subwoofer application
  • 2 independent studio-grade 24-bit stereo FX processors with 99 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  • 2 independent studio-grade 24-bit stereo FX processors with 99 presets including reverb, chorus, flanger, delay.
  • Pitch shifter, various multi-effects
If you want classic analog handling but can't skimp on superior digital effects and studio-grade mic preamps, the SX3242FX is your new best friend. This mixer's 24 microphone inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a 5-piece band to a whole church service with praise band and choir.

Classic Control, State-of-the-Art Sound

Each of the SX3242FX's 24 mic inputs connects to our world-famous, studio-grade XENYX mic preamps. They are legendary for their high headroom, warm natural timbre and utter lack of background noise. Plug in a large-diaphragm condenser mic and track a vocal to hear XENYX's rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.

You May Experience Side-FX...
Whether you need to add a dab of reverb or delay to a live vocalist's mic or warp a hard day's studio session into psychedelic quicksand, the SX3242FX has you covered. Behringer gave this mixer two independent studiograde 24-bit stereo FX processors with 99 awesome presets to provide the perfect sonic garnish. "Sure they're great for live sound, but I have a lot of cool plug-ins for recording," we can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX3242FX's FX, you may want to give your overworked CPU a rest.

Naturally Behringer gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 28--compression for the vocalist, reverb for the vocalist and snare drum, for example.

Two independent studio-grade 24-bit stereo FX processors with 99 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects.

High-precision nine-band stereo graphic EQ allows precise frequency correction of monitor or main mixes.

Routing options galore.

24 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps.

What the Heck is "British EQ"?
A good thing to have on your side when you start reaching for those channel equalization knobs. At a live concert or in the studio.

Think of it as kinder, gentler, more musical EQ like the type found on classic British consoles from the 60's and 70's. Single malt scotch instead of Everclear. Home-baked cherry cobbler instead of an artificial cherry lollypop. British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.

All SX3242FX mono channels have low and high shelving plus a sweepable "midrange" you can move anywhere from 100Hz to 8kHz. Think of it as your roving English troubleshooter.

Make Feedback Vanish So Your Audience Doesn't
When it comes to suppressing feedback, the SX3242FX is like having a bloodhound trained to spot trouble frequencies a mile away.

The 9-band graphic EQ (which you can choose to apply to your main mix or monitor mix via the MAIN/AUX1 button) features the FBQ Feedback Detection system. It makes finding and adjusting critical frequencies a snap. Just push FBQ IN, then watch as LEDs on the individual EQ sliders light up, indicating which frequency bands are causing feedback. Simply adjust until the LED goes dim.

The Ins and Outs
Some manufacturers make what they call 32-input mixers that count stuff like CD/TAPE IN as an input. But the SX3242FX really gives you twenty-four honest mono channels plus eight stereo channels, making it easy to accommodate a variety of studio or live performance configurations. You can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards or tone modules, for example).

You can combine these input in four different sub-mixes (called buses). That allows you to blend multiple channels--say all the mics on a drum kit or all the backup singers' mics--to a single fader, which is easier to adjust for the overall mix that goes to the PA speakers. You can also use one or more of the sub-mix buses to create custom monitor mixes for picky members of your band ("More me! More me!").

A Zillion Ways to Change the Channel
At the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a 1/4" input. A phantom power switch located on the back near the main power switch accommodates condenser mics.

Next comes is an insert for connecting up individual signal processors or feeding a remote broadcast feed or multitrack recorder directly.

Trim control and level set LED let you adjust the channel's input level for maximum headroom and minimum noise--the huge range of this control can handle anything from a very timid vocalist to a close-miked guitar amp stack.

Each mono channel features a 3-band EQ with semi-parametric mids (giving you control of the Mid level and a sweepable frequency with a boost or cut of 15dB) and a Trim control for adjusting input gain via a Level Set LED.

A Low Cut button eliminates the frequencies where unwanted infrasonics such as mic handling, P-pops or wind noise occur.

FX1 and FX2 dials add a blend of up to two effects, and AUX1 and AUX2 dials help create your monitor mix. Press the PRE button to send a raw, EQ-free signal to the monitors.

Near every mono channel's fader you'll find a 1-2, 3-4 and MAIN button. By engaging the MAIN button, the signal is sent to the main mix. Or, if you engage the 1-2 button, the channel becomes part of a bus. Twist the PAN control all the way to the left to assign it to Sub 1, or all the way to the right for Sub 2. The same principle applies to the 3-4 button.

A Mute button with accompanying LED cuts the signal from the channel, and a Clip LED helps you dial in a distortion-free post-EQ signal. The Solo button on individual channels routes the subgroup signal to the solo bus or Pre-Fader Listen--depending on whether the signal has been included in a subgroup.

Instead of XLR inputs, stereo channels 25-32 have left and right balanced/unbalanced line level inputs. Channels 25-28 feature the same controls as the mono channels, but with a four-band EQ that gives you control of HIGH, HIGH MID, LOW MID and LOW. This is especially useful for EQ'ing the critical midrange frequency content found in keyboard signals. Stereo channels 29 through 32, designed for signals that do not require EQ, have a simplified interface consisting of a Level, AUX1 and AUX2 dial. Can you say laptop backing track feeds, drum machines, tone modules, DJ mixers or CD players?

Finally, all four sub-mix buses feature an independent fader (naturally), Solo switch with bright LED, and assign buttons for routing them to Left or Right stereo channels.

Take On The World
Not every town on the planet uses the same voltage common in yours. Unfortunately, this sometimes doesn't occur to jet-setting sound technicians until they're 5,000 miles from home. With the SX3242FX, this is never an issue. The internal autorange power supply can run on anything from 100 to 240 V with noise-free audio, top-quality transient response and low power consumption.

Buy it Now. Teach Your Great Grandkids How to Run it.
BEHRINGER mixers last and last. Behringer use top quality parts such as longwear faders, sealed rotary controls and premium circuit boards. Behringer has 20 years of experience figuring out how to compensate for clumsy load-ins, spilled drinks, crazed guitarists and millions of road miles. The result is a mixer you can count on day after day and night after night.

Why Do You Need This Mixer?

  • Built-in pristine XENYX mic preamps... LOTS of them
  • Dual 24-bit FX processor with 99 presets including reverb, chorus, flanger, delay and pitch shifter tones
  • British-style EQ dials give you the sound and control preferred by top studio engineers
  • The built-in FBQ Feedback Detection system instantly reveals critical frequencies and the 9-band stereo graphic EQ allows precise correction of those frequencies in monitor or main mixes
  • Awesomely complete I/O--everything from bus inserts to mono output
  • Behringer solved the problem of what to do when you want to play music during breaks but don't want to have to mute every channel or turn down every fader. Just push CD/ Tape STANDBY button to A) mute all mixer channels and B) solo just your CD/Tape source.
  • Behringer didn't just give you a MONO output for subwoofers, they gave it a built-in variable low pass crossover, saving you money on outboard gear.
  • A footswitch jack that you can use to control either internal or external effects.
  • A complete Phones and Control Room assignment matrix so you can send mains, buses, CD/Tape or auxes out at the touch of a button.
  • A routing button to Talkback so you can talk directly to either a monitor mix or the house mix for public announcements.
  • Behringer made the 9-band equalizer assignable to either AUX 1 or the main mix.

What's in the Box
Behringer Eurodesk SX3242FX, Power Cable, User's Manual Ultra-Low Noise Design 32-Input 4-Bus Studio/Live Mixer with XENYX Mic Preamplifiers, British EQs and Dual Multi-FX Processor


Tascam Dr680 Portable Multitrack Recorder

Tascam Dr680 Portable Multitrack Recorder Review



TASCAM DR680 Portable Multitrack Recorder


Thursday, March 22, 2012

Roland R-05 WAVE/MP3 Recorder (Standard)

Roland R-05 WAVE/MP3 Recorder (Standard) Review



A handheld 24-bit/96kHz WAV/MP3 recorder featuring a built-in stereo mic and onboard editing.


Wednesday, March 21, 2012

TASCAM X-48 48-track Hybrid Hard Disk Recording Workstation

TASCAM X-48 48-track Hybrid Hard Disk Recording Workstation Review



TASCAM X-48 48-track Hybrid Hard Disk Recording Workstation Feature

  • Tascam's new X-48 is the world's first stand-alone 48-track Hybrid Hard Disk Workstation.
  • The Tascam X-48 integrates the best of both worlds: the stability and ease-of-use of a purpose-built hard disk recorder, with the GUI,
  • Editing features and plug-in compatibility of a computer-based digital audio workstation.
TASCAM's new X-48 is the world's first standalone 48-track Hybrid Hard Disk Workstation. Co-Developed with SaneWave, it integrates the best of both worlds: the stability and ease-of-use of a purpose-built hard disk recorder, with the GUI, editing features and plug-in compatibility of a computer-based digital audio workstation.

It boasts up to 96kHz/24-bit recording across all 48 tracks. Its file compatibility and synchronization surpass even the TEC Award-winning MX-2424, with native Broadcast WAVE audio file support and AAF export for compatibility with workstations like Pro Tools®, Nuendo and Logic. Support for FireWire hard drives and Gigabit Ethernet allows simple transfer between systems, making it the ultimate multitrack solution for high-quality music, post and live recording applications.

Yet the X-48 goes beyond mere standalone recorders -- its built-in, automated 48-channel digital mixer, VGA display output, powerful editing functions and DVD+RW backup drive transform it into a complete integrated workstation.

Live Recording

Live Recording hook-up guide
The portability of the X-48 makes it a natural choice for live event and house of worship recording. Its dedicated design gives you extra reliability for those occasions when there aren't any second takes.

The optional IF-AN24X analog input card offers 24 high-quality balanced analog inputs, and you can use two cards for 48-track/96kHz recording. AES/EBU and ADAT digital I/O cards are also available, and both the analog and digital I/O can be used simultaneously for monitoring.

The rear panel contains a FireWire connection for connecting more hard drives for extra storage. Since the X-48 records Broadcast WAVE files, these recordings can immediately be brought into your favorite DAW for editing and mixing, or you can complete the project "inside the box" with the mixer built into the X-48. It also offers 60-channel automated mixing with powerful processing features, allowing you to monitor the show without an external mixer, and/or output a stereo mix to a CD or DVD recorder like our DV-RA1000HD.

Music Tracking

X48 music tracking hook-up guide
Working with the X-48 gives you the feel of recording to a purpose-built recorder, instead of an adapted computer workstation, for solid, reliable performance. With all of its synchronization and control options - like 9-pin control, MIDI control and SMPTE sync - it easily integrates with the rest of the equipment in your studio. When you just want to capture the music, not get bogged down in editing and setup, the X-48 helps you keep the session moving quickly to keep your artists creative.

The X-48 handles 48 tracks of simultaneous 96kHz recording and it keeps up with every punch-in, no matter how fast. Its great-sounding analog converters and inexpensive DVD backup media make it the perfect replacement for aging 24-track recorders. You can record to its built-in 80GB hard drive or to FireWire drives for removable storage.

Once you've captured the performance, you can assemble the perfect take using its built-in editing interface. Just plug in a mouse, keyboard and VGA monitor to start editing, looping, or crossfading between takes. If you prefer working in another format, export your session as an AAF file to a workstation like Pro Tools®. Audio tracks on the X-48 are also recorded as standard time-stamped Broadcast WAVE files that can be imported into any workstation software, and you can even work in "tape mode," which creates one audio file per track to make file management between systems easy.

Live Presentation Playback

X48 live presentation playback hook-up guide
The X-48 excels as a playback machine for theater, live performance and presentation applications. Its Theatre Mode function allows you to play one audio selection at a time, automatically cueing up the next section for instant playback. Designed for theaters playing back sound effects and music selections, Theatre Mode also offers hundreds of creative possibilities for multimedia producers. Whether the project originates on the X-48 or is imported from a DAW like Pro Tools, cueing the next scene is as simple and reliable as tapping a footswitch.

Synchronization features like SMPTE, MIDI and RS-422 enable the X-48 to integrate with multimedia installations. Its 48 tracks of playback easily allow multi-channel surround mixes to be reproduced with astonishing clarity. Integrated editing, mixing and project management allow the engineer to control an entire production from their fingertips.

Project Studio Recording

X48 project studio hook-up guide
From the Portastudio to high-end professional solutions, TASCAM is well-known for innovative, all-in-one production workstations integrating recording and mixing in one box. The X-48 allows a small studio to combine 48-track, 96kHz/24-bit recording with powerful automated mixing for results never before possible at this price point.

The editing screen of the X-48 uses a familiar DAW interface, with snap-to-grid editing, crossfade and plug-in features professionals demand. The internal mixer is a 60-input digital system with 32-bit floating-point resolution. Each channel provides 4-band parametric EQ, dynamics processing and four VST plug-in insert slots. Best of all, the X-48 is configured out of the box for pro audio recording. There's nothing to install or troubleshoot - just plug it in, turn it on and press record.

Multitrack Recording Features:
  • 48-track digital recording at up to 96kHz/24-bit
  • 32-bit floating point audio file recording and playback with no loss of track count
  • Advanced integrated synchronization and machine control, including HDTV tri-level sync
  • Time-stamped Broadcast WAVE file format
  • Front-panel transport, track arming, project management and metering functions
  • Built-in 80GB hard drive
  • Built-in DVD+RW for backup, transfer and restore
Workstation/Mixing Features:
  • ±6% varispeed
  • Grid-style editing
  • Turn-key operation: no software conflicts to troubleshoot
  • Graphic user interface for editing, mixing, plug-ins and meters
  • 48-channel mixing
  • 32-bit floating point mixer resolution
  • 6 stereo returns (60 total inputs at mixdown)
  • 12 stereo groups, 6 aux sends, stereo master buss
  • Full dynamic automation
  • Dynamics, 4-band parametric EQ and 4 VST plug-in inserts per channel
TASCAM's X-48 is the world's first standalone 48-track Hybrid Hard Disk Workstation. Co-developed with SaneWave, this powerful DAW integrates the best of both worlds: the stability and ease-of-use of a purpose-built hard disk recorder, with the GUI, editing features and plug-in compatibility of a computer-based digital audio workstation.It boasts up to 96kHz/24-bit recording across all 48 tracks. Its file compatibility and synchronization surpass even the TEC Award-winning MX-2424, with native Broadcast WAVE audio file support and AAF export for compatibility with workstations like Pro Tools, Nuendo and Logic. Support for FireWire hard drives and Gigabit Ethernet allows simple transfer between systems, making it the ultimate multitrack solution for high-quality music, post and live recording applications.Yet the X-48 goes beyond mere standalone recorders - its built-in, automated 48-channel digital mixer, VGA display output, powerful editing functions and DVD+RW backup drive transform it into a complete integrated workstation.Live Recording The portability of the X-48 makes it a natural choice for live event and house of worship recording. Its dedicated design gives you extra reliability for those occasions when there aren't any second takes. The optional IF-AN24X analog input card offers 24 high-quality balanced analog inputs, and you can use two cards for 48-track/96kHz recording. AES/EBU and ADAT digital I/O cards are also available, and both the analog and digital I/O can be used simultaneously for monitoring.The rear panel contains a FireWire connection for connecting more hard drives for extra storage. Since the X-48 records Broadcast WAVE files, these recordings can immediately be brought into your favorite DAW for editing and mixing, or you can complete the project "inside the box" with the mixer built into the X-48. It also offers 60-channel automated mixing with powerful processing features, allowing you to monitor the show without an