Monday, April 30, 2012

Whirlwind Audio Multitrack Snake, 6 XLRF to 6 XLRM, 50', Fan to Fan

Whirlwind Audio Multitrack Snake, 6 XLRF to 6 XLRM, 50', Fan to Fan Review



The Medusa Multitrack (MT) Series is designed to interface multitrack recorders or outboard equipment to mixing consoles. Each Multitrack Medusa is constructed of Whirlwind multipair cable with a heat-shrunk fanout at each end, and is available with optional Snakeskin® for an extra charge. An alternative construction uses individually jacketed (IJ) Canare wire with Snakeskin® fanouts standard. Each fanout can be specified with distinct connector types and signal polarity. When the same type of connector is specified at each end, wiring is pin to pin. Wire mesh hanger grips can be ordered as an option.


Rolls RPB486 Phantom Hex 6-Channel Phantom Power Supply for Condenser Microphones

Rolls RPB486 Phantom Hex 6-Channel Phantom Power Supply for Condenser Microphones Review



Rolls RPB486 Phantom Hex 6-Channel Phantom Power Supply for Condenser Microphones Feature

  • XLR Input, 1/4 inch TRS Balanced Output
  • +48 Volt Regulated Phantom Power
  • LED "In Use" Indication
  • Perfect for digital multitrack use
The Rolls RPB486 Phantom Hex is a six-channel +48V phantom power supply for up to six condenser microphones. The rear panel features six XLR input connectors for microphones and 1/4" TRS phone outputs for sending channel signal to mixers.


Saturday, April 28, 2012

Whirlwind Audio Multitrack Snake, 8 XLRF to 8 XLRM, 50', Fan to Fan

Whirlwind Audio Multitrack Snake, 8 XLRF to 8 XLRM, 50', Fan to Fan Review



The Medusa Multitrack (MT) Series is designed to interface multitrack recorders or outboard equipment to mixing consoles. Each Multitrack Medusa is constructed of Whirlwind multipair cable with a heat-shrunk fanout at each end, and is available with optional Snakeskin® for an extra charge. An alternative construction uses individually jacketed (IJ) Canare wire with Snakeskin® fanouts standard. Each fanout can be specified with distinct connector types and signal polarity. When the same type of connector is specified at each end, wiring is pin to pin. Wire mesh hanger grips can be ordered as an option.


Korg D3200 Digital Recording Studio Console

Korg D3200 Digital Recording Studio Console Review



Korg's renowned D-series of digital recording studios welcomes the new D3200 Digital Recording Studio. The D3200 is the first in its class to provide up to 32 tracks of simultaneous playback and up to 12 tracks of simultaneous recording (using 12 balanced quarter-inch inputs 8 are also equipped with XLR) to support high channel-count projects such as recording a live band.


Wednesday, April 25, 2012

Steinberg Cubase 6 Retail Multitrack Recording Software

Steinberg Cubase 6 Retail Multitrack Recording Software Review



Steinberg Cubase 6 Retail Multitrack Recording Software Feature

  • Top Features Number of audio tracks: unlimited Number of MIDI tracks: unlimited**Full version**
  • Number of included audio effect plug-ins: 60 Number of included VST instruments: 8
  • Number of included instrument sounds: 1,925 Advanced comping Professional score layout and printing:Full Fraunhofer
  • Group channels: 256FX send/return channels: 8/64VST audio effect insert slots: 8
  • MIDI effect insert slots: 4VST instrument slots: 64
Cubase 6 adds even more creative possibilities and new technologies to the world's premiere music production software. VariAudio and Pitch Correct provide integrated intonation editing for monophonic vocal recordings. Groove Agent ONE and Beat Designer change the game for beat creation, while the revolutionary LoopMash 2 seamlessly blends loops, creating unimaginable variations. VST Expression 2 tools for composers combine with the first VST3 convolution reverb and improved automation for more dynamic mixes. An array of additional enhancements and 64-bit technologies boost performance, all designed to inspire further musical creativity and productivity. Some of the highlights of Cubase 6 Loop Mash 2 is a revolutionary virtual instrument offering a fresh and innovative way of playing with loops and creating dozens of seamlessly blendable variations to get that original beat going. Drum sampling deluxe - Groove Agent ONE pairs powerful drum sampling with detailed sound shaping, all seamlessly integrated into Cubase. Not only does it handle import of sliced loop and MPC files, it also rocks right out of the box with its own custom library of acoustic, urban, and Hip-Hop drum kits. Beat it - Beat Designer is a hot new-to-the-series beat construction plug-in that allows you to get hands-on with beats for step programming and designing drum patterns in an easy yet powerful way, working hand in hand with Groove Agent ONE. Total vocal editing - VariAudio offers completely integrated pitch and note length editing for individual notes in monophonic vocal recordings, bridging the gap between traditional MIDI and audio editing. On-the-fly pitch correction - The new-to-the-series Pitch Correct VST3 plug-in brings easy and automatic intonation control and scale correction of vocal and monophonic instrument recordings to Cubase. REVerence is a new-to-the series VST 3 convolution reverb processor.


Tuesday, April 24, 2012

Boss BR-1200CD Digital Recording Studio

Boss BR-1200CD Digital Recording Studio Review



Boss BR-1200CD Digital Recording Studio Feature

  • 12-track playback with 192 V-Tracks
  • Fast drum pattern creation with EZ Compose
  • Vocal harmony generator and pitch correction
  • USB port for file sharing with computers
  • CD-R/RW drive
Hassle-Free Recording & CD BurningFly from point A to B in record time, thanks to the BR-1200CD's logical arrangement of buttons, knobs, and faders, and its inviting icon-based user interface. Recording, mixing, and CD burning is simple. To record, simply connect an instrument or microphone (XLR inputs with phantom power are provided), and follow the logical flow of controls on the left side of the panel. Use the fader pack in the middle to mix, and press the "Audio CD Write/Play" button to jump to the CD Burning menu.Multi-Effects & COSM ModelsFrom full dunk to subtle sweetening, the BR-1200CD is equipped with a powerful multi-effects processor derived from the famous BOSS GT-6/GT-6B. A lineup of COSM amp models are in the lineup, including the world-standard Roland JC-120 Jazz Chorus, R-FIier Vintage, Metal Stack, BOSS Compact Pedal models such as OD-1 and MT-2, and more. Also onboard are COSM mic models, which emulate expensive condenser mics. Correct pitch and add harmonies with the Vocal Tool Box, and for the finishing touch, tap into the Mastering Tool Kit to put a pro-quality polish on your track.Backing Band Built InAnother distinguishing feature of the BR-1200CD is its world-class bass and drum programmer, packed with instruments and patterns to suit a variety of styles. Realistic acoustic drums and percussion are included, as well as many electronic sounds to compose modern hybrid type of music. For bass, you can choose from a variety of bass sounds, such as slapped basses, picked basses, and fretless basses. Jam along with the supplied patterns or create your own from scratch. The EZ Compose feature makes ultra-realistic custom programming a snap. There's also a selection of great loop phrases pre-installed on the internal hard drive.Computer ConnectionThe BR-1200CD has a USB port for simple, one-cable data exchange with your computer. You can export audio tracks to your computer in WAV format, and safely save backups of your song data. If you have WAV fi


Monday, April 23, 2012

Tascam DP-008 8 Track Portastudio Interface Digital Multi-track

Tascam DP-008 8 Track Portastudio Interface Digital Multi-track Review



Tascam DP-008 8 Track Portastudio Interface Digital Multi-track Feature

  • 8-track Digital Portastudio.
  • 2-track simultaneous recording.
  • 2 XLR microphone inputs with phantom power.
  • 2 1/4 inch line inputs, one switchable to guitar level for direct recording.
  • 1/4 inch footswitch input and Autopunch features for punch-in recording.
TASCAM culminates 30 years of Portastudio Recording with the DP-008, a portable 8-track recorder for all musicians. TASCAMs DP-008 is an eight-track recorder that captures CD-quality audio, two tracks at a time. You can use built-in microphones to grab ideas, plug condenser mics into the XLR inputs or plug a guitar directly in to lay tracks. Theres even a metronome and chromatic tuner built-in for tight-sounding tracks. The DP-008 also allows you to digitally bounce tracks to make room for more, and touches like editing and undo make recording stress-free. Each track on the DP-008 has its own row of knobs for level, pan and effects, just like our classic cassette Portastudios of the past. The effects knob sends to a built-in stereo reverb processor with hall, room, stage and other effects. Each track also has EQ to tailor the sound for your mix. When your song is complete, mix it to a dedicated stereo track while riding levels and flipping pan as much as you want. You can export your mix, or even individual tracks, as a WAV or MP3 file. TASCAM invented the home recording studio with the original cassette Portastudio. The DP-008 takes the ease-of-use of those classic songwriting tools and adds portability, digital sound quality, effects and mixdown to bring home recording into the 21st century. Simplify your recording workflow with TASCAMs DP-008.


TASCAM DR-07mkII Handheld Digital Recorder (Standard)

TASCAM DR-07mkII Handheld Digital Recorder (Standard) Review



TASCAM DR-07mkII Handheld Digital Recorder (Standard) Feature

  • Adjustable Stereo Condenser Microphones (XY or AB)
  • Up to 96kHz/24-bit WAV (BWF) linear PCM recording
  • Stereo MP3 recording from 32-320 kbps bit rate
  • USB 2.0 port for transfer to PC and external power
  • Powered by 2 AA batteries, AC adapter (optional: PS-P515U), or USB bus power
Capture song ideas before they float away, or get all the important meeting notes recorded as well.


Sunday, April 22, 2012

Acoustica Mixcraft 4 Multitrack Audio MIDI Recording Software (Standard)

Acoustica Mixcraft 4 Multitrack Audio MIDI Recording Software (Standard) Review



Acoustica Mixcraft 4 Multitrack Audio MIDI Recording Software (Standard) Feature

  • Clear, colorful, and intelligently designed interface to streamline your work
  • Custom loop library includes hundreds of royalty-free sounds and loops in dozens of musical styles
  • Add unlimited tracks and effects (including VST and DirectX effects)
  • Visually time stretch sounds with FlexAudio
  • Mix down to MP3, WAV, and other audio file types
Mixcraft is an affordable multitrack audio and MIDI recording studio that enables you to compose original music, record your band, create a podcast, or remix a song. You can use it as either a multitrack recorder or as a music loop remix program. Its simplified format makes it an easy solution for any user level. When you use it as multitrack audio recorder, Mixcraft allows you to record and play multiple tracks of audio and MIDI virtual instruments at the same time. Use any of the 18 included effects such as reverb, delay, guitar amp simulator, flanger, or add a 3rd party VST or DirectX effects. Instruments include a Minmoog and Hammond B-3 emulators, an impulse polyphonic analog synthesizer, and Acoustica Instruments, which feature multi-sampled instruments in GM format. If you hook up a MIDI keyboard, you can play a whole studio full of virtual synthesizers. As a remix software solution, Mixcraft supports Apple Loops, Acid Loops, and its own custom loop format with hundreds of royalty-free sounds. Its song kits allow you to create your own song in dozens of styles to sing along or rap to. Creating your own loop or extracting a loop from a well known song is simply a few clicks away.When you've finished your project, mix down your music to CD or MP3 directly in Mixcraft. So if you're looking into getting into computer recording, let this uncomplicated program help you get in the game.


TASCAM SSCD-R1 Solid State Recorder

TASCAM SSCD-R1 Solid State Recorder Review



TASCAM SSCD-R1 Solid State Recorder Feature

  • Solid state recoding to Compact Flash media
  • CD-RW Recording and Playback
  • One-rack-space compact design
  • Records in WAVE or MP3 format to CF Card
  • Balanced XLR and unbalanced RCA line input and output
Tascam SSCD-R1 Solid State Recorder


Saturday, April 21, 2012

Roland VS-1680 24 Bit Digital Studio Workstation

Roland VS-1680 24 Bit Digital Studio Workstation Review



Roland VS-1680 24 Bit Digital Studio Workstation Feature

  • Direct audio CD recording and data backup using built-in SCSI port and optional compatible CD-R drive
  • The VS-1680 is a bold step forward in professional audio recording
The VS-1680 Digital Studio Workstation represents the new definition of recording power: a 16-track, 24-bit audio recording, editing, mixing and effects processing system in a compact tabletop workstation. With its advanced features, amazing sound quality and intuitive new user interface, the VS-1680 is a bold step forward in professional audio recording. 16 tracks of hard disk audio recording; 256 Virtual tracks (16 tracks x 16 V-tracks) to freely record different ideas and arrangements. 24-bit MT Pro Recording Mode for massive headroom and dynamic range-a first in its class. Huge 320 x 240 dot graphic LCD provides simultaneous level meters, play list, EQ curves, EFX settings, waveforms, and more. 20-bit A/D, D/A converters for pristine sound. 2 optional 24-bit stereo multi-effects processors (VS8F-2) provide up to 8 channels of independent effects processing. New EZ Routing function allows users to create and save various recording, mixing, track bouncing and other comprehensive mixer templates for instant recall. 10 audio inputs: 2 balanced XLR-type inputs w/ phantom power, 6 balanced 1/4" inputs, and 1 stereo digital input (optical/coaxial). 12 audio outputs: 8 RCA-type outputs (Master L/R, Aux.A L/R, Aux.B L/R, Monitor L/R), and 2 stereo digital outputs (1 optical, 1 coaxial) plus Phones output. Dedicated LED buttons and an elegant user interface for simplified operation. Direct audio CD recording and data backup using built-in SCSI port and optional compatible CD-R drive. Note that this product is no longer in production. Similar capabilities can be found in the VS-1824CD 24-bit Digital Studio Workstation.


Thursday, April 19, 2012

Alesis ProTrack Handheld Stereo Recorder for iPod

Alesis ProTrack Handheld Stereo Recorder for iPod Review



Alesis ProTrack Handheld Stereo Recorder for iPod Feature

  • Sleek design with clear, protective covers, integrates iPod
  • Combo XLR-1/4" inputs for connecting mics, mixers, and more
  • Records 16-bit, 44.1kHz or 22kHz stereo digital audio
  • Built-in mics in XY configuration for accurate stereo image
  • AC/DC operation on 4 AAA batteries or AC adapter (included)
Capture live sound directly on your Apple iPod anywhere and anytime without a single cable with the Alesis ProTrack. Just dock your iPod and cover it with the protective clear shield, and you're ready to roll. You can record detailed, 16-bit, 44.1kHz or 22kHz stereo digital audio without connecting any additional equipment using ProTrack's onboard pair of cardioid condenser microphones. The on-board mics are fixed in XY configuration for optimal stereo imaging.



The Alesis ProTrack handheld recorder (with iPod touch).


The Alesis ProTrack handheld recorder (with iPod touch).
The ProTrack also has a pair of combo XLR-1/4-inch inputs enabling you to connect any professional sound source, including condenser and dynamic microphones and mixer outputs. Whether you are running on plug-in or battery power, ProTrack supplies 48V phantom power to its inputs for operation with external condenser microphones.

You can monitor or play back recordings on the 1/8-inch stereo-headphone output and check the LED-level metering for instant visual indication, even in a dark club. ProTrack records on four AAA batteries or AC power using the included adapter. A 1/4-inch/20-threaded mounting point enables you to mount ProTrack on a mic stand with the optional ProTrack Adapter, on a table with the optional ProTrack Tripod table stand, or on a camera tripod for hands-free tracking.

If you have an iPod touch, you can purchase and download the iProRecorder app from the iTunes App Store.

Key Features

  • Sleek design with clear, protective covers, integrates iPod
  • Combo XLR-1/4-inch inputs for connecting mics, mixers, and more
  • Stereo 1/8" headphone output
  • 48V phantom power for use with external condenser mics
  • Records 16-bit, 44.1kHz or 22kHz stereo digital audio
  • Onboard stereo condenser microphones for detailed pickup
  • Built-in mics in XY configuration for accurate stereo image
  • Switchable limiter ensures overload-free recordings
  • AC/DC operation on 4 AAA batteries or AC adapter (included)
  • Threaded mounting point for tabletop and floor-stand applications

Specifications

  • Analog Inputs: Two combination XLR-1/4-inch
  • Gain:
    • Internal Mic Inputs: +6dB to 49.3dB
    • External Inputs (XLR): +6dB to 49.3dB
    • External Inputs (1/4-inch): -11.3dB to +32dB
  • THD+N
    • 2nd & 3rd Gen. iPod nano: 0.01% @ 92dB SNR A-weighted (charge off, min. gain)
    • 5th Gen. iPod / iPod Classic: 0.014% @ 88dB SNR A-weighted (charge off, min. gain)
  • Digital Circuitry
    • Bit Depth: 16-bit
    • Sample Rates: 44.1kHz (high); 22.05kHz (low)
  • Main Outputs
    • Max Level: +0.3dBu Maximum
    • THD+N: < 0.01% @ 1kHz
  • Headphone Outputs: Max Level: 75∞ output impedance, 40mW into 32∞
  • Battery Life:
    • Without phantom power: > 3 hours
    • Using phantom power: > 2 hours
  • External Battery Pack Requirements:
    • 6V DC 1A
    • 2mm diameter (center pin); 5.5mm outside diameter
    • Wired as center positive
  • Weight (ProTrack only, without batteries or iPod): 8 ounces

Compatibility Notes
* When a 3rd generation iPod is used with this product, the iPod will not charge. Although 3rd generation iPods feature dock connectors, these iPods communicate via FireWire, not USB (which is used on all newer iPods), making it impossible for many products with dock connectors to provide a charge to 3rd Generation iPods.

** You can record using a third-party recording application for iPod touch, such as iProRecorder. Record stereo audio directly to your iPod with ProTrack. Capture live sound on your iPod anywhere and anytime without a single cable, and with one hand free! Just dock your iPod and cover it with the protective clear shield, and you're ready to roll. You can record detailed, 16-bit, 44.1kHz or 22kHz stereo digital audio without connecting any additional equipment using ProTrack's onboard pair of cardioid condenser microphones. The on-board mics are fixed in XY configuration for optimal stereo imaging. ProTrack also has a pair of combo XLR-1/4" inputs enabling you to connect any professional sound source, including condenser and dynamic microphones and mixer outputs. Whether you are running on plug-in or battery power, ProTrack supplies 48V phantom power to its inputs for operation with external condenser microphones. ProTrack has LED-level metering for instant visual indication, even in a dark club. You can monitor or play back recordings on the 1/8" stereo-headphone output. Controls for phantom power, limiter, and volume are easy to access. ProTrack records on four AAA batteries or AC power using the included adapter. A 1/4"-20 threaded mounting point enables you to mount ProTrack on a mic stand with the optional ProTrack Adapter, on a table with the optional ProTrack Tripod table stand, or on a camera tripod for hands-free tracking.


Wednesday, April 18, 2012

TASCAM DP01 Digital Portastudio Recorder

TASCAM DP01 Digital Portastudio Recorder Review



TASCAM DP01 Digital Portastudio Recorder Feature

  • 40GB Hard-Drive storage capacity
  • 8-track recording at uncompress CD quality
  • 2-track simultaneous recording
  • Dedicated stereo mix-down track
  • Dedicated controls on each channel for volume, pan, EFX send, EQ high & EQ low
The Tascam DP-01 is the first digital recorder with the intuitive interface of a Portastudio . The DP-01 is an affordable 8-track music production factory with dedicated knobs for each channels pan, effects send, high and low EQ controls so you won t need to decipher cryptic menus to make great-sounding music.


Tuesday, April 17, 2012

TASCAM DR-05 Solid State Recorder Blue Ltd Edition Blue

TASCAM DR-05 Solid State Recorder Blue Ltd Edition Blue Review



TASCAM DR-05 Solid State Recorder Blue Ltd Edition Blue Feature

  • Built-in stereo condenser omnidirectional microphones with sensitivity up to 125dB SPL Up to 24-bit/96kHz WAV (BWF) linear PCM recording Stereo MP3 recording from 32-320 kbps bit rate Peak Reduction function, optimized for music recording, automatically sets the gain of while recording Limiter and low-cut filter to help prevent distortion Automatic or manual level setting Self-timer starts recording 5 or 10 sec. after pressing the record button giving you time to get ready Auto and manual track
TASCAM's DR-05 brings high-quality stereo recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. The DR-05 records in MP3 or WAV format, including 24-bit/96kHz high-resolution audio to microSD or microSDHC media. A pair of all-new microphones handles up to 125dB SPL with the sensitivity to capture every detail. With new recording features like Peak Reduction and Quick Menu, the DR-05 puts album-quality recording in the palm of your hand.Premium-quality SoundEverything about the DR-05 is designed to get the best quality recordings of your music. A new pair of built-in microphones withstands up to 125dB SPL the volume of a jet plane from 200 feet awayyet still have the sensitivity to capture every detail of a performance. You can add your own microphone or line-level source through the 1/8" stereo input, including plug-in power for microphones that need it.Internally, the DR-05's digital and analog circuit boards are built separately to improve noise performance, with a low-impedance design to further decrease hiss. A separate power supply is sent to the A/D and D/A converter for even better audio performance. The result is clean sound quality over 92dB signal-to-noise ratio; under 0.05% total harmonic distortionl and 20Hz to 40kHz response (-1/+3dB) at 24-bit/96kHz resolution.Simple to OperateThe layout of the DR-05 has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button-press away. Dig deeper to find features like limiting, low-cut filtering, a built-in chromatic tuner, and more.One new feature that makes the DR-05 easy to operate is the new Peak Reduction feature. This setting automatically sets your recording level by listening to the input and adjusting for the best level. Unlike Auto Gain settings, this one only goes down to prevent accidental distortion after a period of low level like a break. Peak Recording works i


Sunday, April 15, 2012

Fostex FR2-LE Field Recorder, Compact Flash

Fostex FR2-LE Field Recorder, Compact Flash Review



Fostex FR2-LE Field Recorder, Compact Flash Feature

  • Fostex should develop the FR-2, the acclaimed professional CompactFlash-based field recorder.
With a location recording pedigree which includes the original portable timecode DAT machines (PD-2, PD-4), and more recently the innovative PD-6 DVD-RAM recorder, it was only natural that Fostex should develop the FR-2, the acclaimed professional CompactFlash-based field recorder.And now, it seems, Fostex have done it again with the launch of the new FR-2LE - a compact audio recorder designed from the ground-up to meet the needs of professionals in the field.


Saturday, April 14, 2012

Whirlwind Audio Multitrack Snake, 12 XLRF to 12 XLRM, 25', Fan to Fan

Whirlwind Audio Multitrack Snake, 12 XLRF to 12 XLRM, 25', Fan to Fan Review



Whirlwind Audio Multitrack Snake, 12 XLRF to 12 XLRM, 25', Fan to Fan Feature

  • 12 Channels
  • End A is XLR Female
  • End B is XLR Male
  • 25 ft. in Length
The Medusa Multitrack (MT) Series is designed to interface multitrack recorders or outboard equipment to mixing consoles. Each Multitrack Medusa is constructed of Whirlwind multipair cable with a heat-shrunk fanout at each end, and is available with optional Snakeskin® for an extra charge. An alternative construction uses individually jacketed (IJ) Canare wire with Snakeskin® fanouts standard. Each fanout can be specified with distinct connector types and signal polarity. When the same type of connector is specified at each end, wiring is pin to pin. Wire mesh hanger grips can be ordered as an option.